"In the tradition of Claude Cahun, Cindy Sherman, and more recently Nikki Lee, Sawada plays a host of characters and identities in her self-portraits. With each new get-up she transforms into someone else. In the ID-400 series, reminiscent of Andy Warhol's photo-booth portraits from the 1960s, Sawada used a public photo booth to create an "army of me," - but not me. She spent weeks continually changing her physical appearance and dress to invent a total of four hundred different new identities. The facial characteristics and expressions are so varied and elastic in these candid shots that they become in of themselves a subtle study of physiognomy."
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